Chapter 1: The Things They Carried: When Jimmy Cross understands
that Ted Lavender is really dead, and that he might have prevented it,
his whole outlook changes. Before, he couldn't get Martha out of his
head. He was a daydreamer and a lover more than he was a soldier, and
he thought often about that. But afterward, he understands that when
someone dies, that can't be changed. It makes him realize his duty, and
he is suddenly able to distance himself from everything that used to be
important in his life. He understands that he is now living in another
world, and that he is a soldier whether he wants to be or not.
Chapter 3: Spin: The lack of a purpose sometimes drives the men
crazy. They feel that there is no definite morality to what they are
doing. They become desperate for anything, even a game of checkers,
that has a definite winner and loser. Their own wartime life seems
endless, repetitive, boring and terrifyingly pointless.
Tim is unable to forget even the tiniest details from Vietnam. They
play out in his memory and in his writing over and over, and he is
helpless to contain them. Writing about the war is his link between the
past and the future, he says. And the terrible and beautiful things he
saw in Vietnam will be with him forever.
Chapter 5: Enemies: Dave Jensen becomes unable to tell what is right
and what is wrong. He has been fighting Vietnamese for so long that
when he begins to fight with someone from his own side, he goes a
little crazy. He thinks he has to make up for the way he hurt Lee
Strunk, when even Strunk believes he had every right to hurt him.
Chapter 7: How to Tell a True War Story: Rat Kiley cannot deal
with the fact that his best friend is dead, so suddenly and without any
reason behind it. He tries to explain how he feels to his friend's
sister, and when she doesn't respond, he directs all his fury and
hopelessness at her. He is nineteen, but war has made him vulgar, and a
killer.
Chapter 9: Sweetheart of the Song Tra Bong: Mary Anne Bell, who
was only in Vietnam a few months, lost herself in the country. She
became, as Rat Kiley described it, an animal. No one knows what
happened to her, but she seemed to become part of the land itself. Rat
cautions the others not to be surprised that this could happen to a
woman: it could happen to anyone, he says.
Chapter 15: Speaking of Courage: The war separates Norman from
everything he wants to be close to. He knows no one in the town will
understand his experiences, so he hardly talks to anyone. His thoughts
are endless and repetitive, but he cannot get away from them. He spends
a lot of time alone because he simply cannot seem to relate to anyone
anymore.
Chapter 20: The Ghost Soldiers: Though Tim is trying to spook
Jorgenson, he gets spooked himself. Vietnam is a terrifying, savage,
mysterious place, and he does not want to become it. He feels he is
doing just that by scaring Jorgenson. When he sees Jorgenson terrified,
he feels a connection to him. They both know what it's like to think
you're about to die. But Tim is also terrified of the power he has over
Jorgenson.
Chapter 21: Night Life: Rat Kiley is literally driven crazy by the war.
The entire country seems full of ghosts--every sound the men hear is
haunted--and when they are travelling solely by night, they can hardly
tell if their own bodies still exist. Rat cannot handle this. He sees
visions of himself as dead. He views the other men as just so many
anatomical parts. He loses his sense of reality.
Chapter 22: The Lives of the Dead: All the people Tim lost in the war
have given him a new understanding of death. Since he has spent twenty
years writing about them, he has slowly realized that they are not
really dead: they are alive in his memory and imagination. He
understands the pain of losing his friends, and the guilt of killing
his enemy. But he also knows that his stories keep all of them alive.